>>New Target and Pay Per Lesson - Jerry Reed – Blues Land - Neil Hogan Instrumental
Posted: Mon Jun 11, 2018 7:54 pm
by tgjameela
Hi Everyone,
We have a new Target and Pay Per Lesson release for you, Jerry Reed – Blues Land - Neil Hogan Instrumental!
It has been quite a while since we added a very advanced instrumental but now we have Blues Land by Jerry
Reed. This is my arrangement of a piece I don’t think he ever performed solo and it is full of unusual techniques.
We have a lot of grace notes in a few different ways, and a reverse thumb drag that may take a bit of time to
master and incorporate.
It is played in swing time and we get started with the Intro and Section A while I keep working on the rest.
Re: >>New Target and Pay Per Lesson - Jerry Reed – Blues Land - Neil Hogan Instrumental
Posted: Wed Jun 13, 2018 12:19 am
by familyman4
Not going to try and fool myself with wanting to learn this one. Not enough time in the day right now. But,,,,what a great challenge it would be! Love the backwards rake with the thumb. I've never thought about that move before.
Jerry Reed was such a great guitar player and Neil, you almost make it look within reach and clear enough to tackle but like I said, not enough time to dedicate to the song. The good news is that I can jump on it another time. With my TG membership it will be waiting for me when the stars align and I find a few more hours in each day
Wow, just wow!
I am looking forward to hearing of anyone that will be working on this one and progress reports along the way.
Peace out.
Bart
Re: >>New Target and Pay Per Lesson - Jerry Reed – Blues Land - Neil Hogan Instrumental
Posted: Thu Jun 14, 2018 5:08 am
by neverfoundthetime
A very spectacular piece, very nicely done! Not going anywhere near it :laugh:
Re: >>New Target and Pay Per Lesson - Jerry Reed – Blues Land - Neil Hogan Instrumental
Section B of Blues Land is a bit easier than Section A, and more repetitive as well. It opens with a
somewhat difficult chord and includes a bunch of sliding grace notes, even some in pairs that are
syncopated with a series of them all coming on the ‘ands’ of beats.
The segment also covers the Coda, really a third ending to Section A that would end the piece.
Also included is a Play Through section with a metronome at 72 beats per minute.