tovo wrote:
This is a great thread. I have a few things to correct, interesting to read the comments about not going overboard. I don't have a death grip with my left hand, there's some clear space between the neck and my hand, but I often see my thumb sticking up straight and well above the line of the neck. Is that a bad thing? If so why? I understand a death grip is bad and why it is bad, but seems there's a lot of folks who think if the thumb can be seen it's an incorrect position? Maybe, I don't know but I can't (presently) understand why that's a big deal.
The other one is the pinkie anchor. I have determined that I will give it up but not easy. Thing is I really want to be technically sound as well as sound good. Not perfect, just sound.
tovo,
I don't think the thumb being visible is necessarily wrong, especially if you have a long thumb. What the top half of the thumb is doing, however, is real important.
I offered the following observations on thumb position to other TG members. I'm not an expert, but I find it to be very accurate for me.
I'm not so gifted, and that means I must use good hand position all the time, and for me that means some discipline on the thumb position. Try to keep your thumb vertical on the neck, and keep the hinge of your thumb in contact with the center of the neck. Apply force through the hinge, never through the top of your thumb. If you apply force through the top your thumb, you do not apply force evenly through your fingers, and you can't let go of the neck to change positions. In short, keep the top half of your thumb off the neck, and keep your thumb vertical. Also, on barre chords, align the thumb with your index finger to apply the force most efficiently where it needs to be - at the barre-ing finger.
wrench