I've said it before, I'm not Neil's best student. I spend most of my time in the TG classroom in the back row singing away to myself songs I'm fascinated by and trying this and that... anything to avoid the pain of actually learning theory. And so I muddle through... until I come upon a song I REALLY want to be able to play (sing) and when its not a TG lesson I have to do it the hard way... working it out myself. That's ok, I can do quite a lot of simple stuff but I am also easily stumped too.
So I was innocently tinkering with a Moody Blues song (surprise!) When You Wake Up, off the Blue Jays album, Hayward & Lodge 1975. I could only find one chord version with very inaccurate lyrics so I was not confident of the chords but it did help until I came across AaddB which sounds lovely on the record but I was not exactly sure how to finger it. So I googled. This is what I got (below). Needless to say I am really sorry I have not been paying attention in class:
A
A or Amaj [0 0 2 2 2 0] (Db E A) : major triad
A or Amaj [0 4 x 2 5 0] (Db E A) : major triad
A or Amaj [5 7 7 6 5 5] (Db E A) : major triad
A or Amaj [x 0 2 2 2 0] (Db E A) : major triad
A or Amaj [x 4 7 x x 5] (Db E A) : major triad
A #5 or Aaug [x 0 3 2 2 1] (Db F A) : augmented triad
A #5 or Aaug [x 0 x 2 2 1] (Db F A) : augmented triad
A/Ab [x 0 2 1 2 0] (Db E Ab A) : major triad (altered bass)
A/B [0 0 2 4 2 0] (Db E A B) : major triad (altered bass)
A/B [x 0 7 6 0 0] (Db E A B) : major triad (altered bass)
A/D [x 0 0 2 2 0] (Db D E A) : major triad (altered bass)
A/D [x x 0 2 2 0] (Db D E A) : major triad (altered bass)
A/D [x x 0 6 5 5] (Db D E A) : major triad (altered bass)
A/D [x 0 9 10 9] (Db D E A) : major triad (altered bass)
A/G [3 x 2 2 2 0] (Db E G A) : major triad (altered bass)
A/G [x 0 2 0 2 0] (Db E G A) : major triad (altered bass)
A/G [x 0 2 2 2 3] (Db E G A) : major triad (altered bass)
A/Gb [0 0 2 2 2 2] (Db E Gb A) : major triad (altered bass)
A/Gb [0 x 4 2 2 0] (Db E Gb A) : major triad (altered bass)
A/Gb [2 x 2 2 2 0] (Db E Gb A) : major triad (altered bass)
A/Gb [x 0 4 2 2 0] (Db E Gb A) : major triad (altered bass)
A/Gb [x x 2 2 2 2] (Db E Gb A) : major triad (altered bass)
A5 or A(no 3rd) [5 7 7 x x 5] (E A) : root and 5th (power chord)
A5 or A(no 3rd) [x 0 2 2 x 0] (E A) : root and 5th (power chord)
A5 or A(no 3rd) [5 7 7 x x 0] (E A) : root and 5th (power chord)
A6 [0 0 2 2 2 2] (Db E Gb A) : major triad plus 6th
A6 [0 x 4 2 2 0] (Db E Gb A) : major triad plus 6th
A6 [2 x 2 2 2 0] (Db E Gb A) : major triad plus 6th
A6 [x 0 4 2 2 0] (Db E Gb A) : major triad plus 6th
A6 [x x 2 2 2 2] (Db E Gb A) : major triad plus 6th
A6/7 [0 0 2 0 2 2] (Db E Gb G A) : major triad plus 6th, minor 7th
A6/7 sus or A6/7 sus4 [5 5 4 0 3 0] (D E Gb G A) : sus4 triad plus 6th, minor 7th
A6/7 sus or A6/7 sus4 [x 0 2 0 3 2] (D E Gb G A) : sus4 triad plus 6th, minor 7th
A7 or Adom 7 [3 x 2 2 2 0] (Db E G A) : major triad, minor 7th
A7 or Adom 7 [x 0 2 0 2 0] (Db E G A) : major triad, minor 7th
A7 or Adom 7 [x 0 2 2 2 3] (Db E G A) : major triad, minor 7th
A7(#5) [1 0 3 0 2 1] (Db F G A) : minor 7th, sharp 5th
A7/add11 or A7/11 [x 0 0 0 2 0] (Db D E G A) : major triad, minor 7th, plus 11th
A7sus4 [x 0 2 0 3 0] (D E G A) : sus4 triad, minor 7th
A7sus4 [x 0 2 0 3 3] (D E G A) : sus4 triad, minor 7th
A7sus4 [x 0 2 2 3 3] (D E G A) : sus4 triad, minor 7th
A7sus4 [5 x 0 0 3 0] (D E G A) : sus4 triad, minor 7th
A7sus4 [x 0 0 0 x 0] (D E G A) : sus4 triad, minor 7th
Aadd9 or A2 [0 0 2 4 2 0] (Db E A B) : major triad plus 9th
Aadd9 or A2 [x 0 7 6 0 0] (Db E A B) : major triad plus 9th
Aaug/D [x x 0 2 2 1] (Db D F A) : augmented triad (altered bass)
Aaug/G [1 0 3 0 2 1] (Db F G A) : augmented triad (altered bass)
Adim/Ab [x x 1 2 1 4] (C Eb Ab A) : diminished triad (altered bass)
Adim/E [0 3 x 2 4 0] (C Eb E A) : diminished triad (altered bass)
Adim/F [x x 1 2 1 1] (C Eb F A) : diminished triad (altered bass)
Adim/F [x x 3 5 4 5] (C Eb F A) : diminished triad (altered bass)
Adim/G [x x 1 2 1 3] (C Eb G A) : diminished triad (altered bass)
Adim/Gb [x x 1 2 1 2] (C Eb Gb A) : diminished triad (altered bass)
Adim7 [x x 1 2 1 2] (C Eb Gb A) : diminished triad, diminished 7th
Am [x 0 2 2 1 0] (C E A) : minor triad
Am [x 0 7 5 5 5] (C E A) : minor triad
Am [x 3 2 2 1 0] (C E A) : minor triad
Am [8 12 x x x 0](C E A) : minor triad
Am/B [0 0 7 5 0 0] (C E A B) : minor triad (altered bass)
Am/B [x 3 2 2 0 0] (C E A B) : minor triad (altered bass)
Am/D [x x 0 2 1 0] (C D E A) : minor triad (altered bass)
Am/D [x x 0 5 5 5] (C D E A) : minor triad (altered bass)
Am/Eb [0 3 x 2 4 0] (C Eb E A) : minor triad (altered bass)
Am/F [0 0 3 2 1 0] (C E F A) : minor triad (altered bass)
Am/F [1 3 3 2 1 0] (C E F A) : minor triad (altered bass)
Am/F [1 x 2 2 1 0] (C E F A) : minor triad (altered bass)
Am/F [x x 2 2 1 1] (C E F A) : minor triad (altered bass)
Am/F [x x 3 2 1 0] (C E F A) : minor triad (altered bass)
Am/G [0 0 2 0 1 3] (C E G A) : minor triad (altered bass)
Am/G [x 0 2 0 1 0] (C E G A) : minor triad (altered bass)
Am/G [x 0 2 2 1 3] (C E G A) : minor triad (altered bass)
Am/G [x 0 5 5 5 8] (C E G A) : minor triad (altered bass)
Am/Gb [x 0 2 2 1 2] (C E Gb A) : minor triad (altered bass)
Am/Gb [x x 2 2 1 2] (C E Gb A) : minor triad (altered bass)
Am6 [x 0 2 2 1 2] (C E Gb A) : minor triad plus 6th
Am6 [x x 2 2 1 2] (C E Gb A) : minor triad plus 6th
Am7 [0 0 2 0 1 3] (C E G A) : minor triad, minor 7th
Am7 [x 0 2 0 1 0] (C E G A) : minor triad, minor 7th
Am7 [x 0 2 2 1 3] (C E G A) : minor triad, minor 7th
Am7 [x 0 5 5 5 8] (C E G A) : minor triad, minor 7th
Am7(b5) or Ao7 [x x 1 2 1 3] (C Eb G A) : diminished triad, minor 7th : half-diminished 7th
Am7/add11 or Am7/11 [x 5 7 5 8 0] (C D E G A) : minor triad, minor 7th, plus 11th
Amaj7 or A#7 [x 0 2 1 2 0] (Db E Ab A) : major triad, major 7th
Amin/maj9 [x 0 6 5 5 7] (C E Ab A B) : minor triad, major 7th plus 9th
Asus or Asus4 [0 0 2 2 3 0] (D E A) : no 3rd but a 4th from a major triad
Asus or Asus4 [x 0 2 2 3 0] (D E A) : no 3rd but a 4th from a major triad
Asus or Asus4 [5 5 7 7 x 0] (D E A) : no 3rd but a 4th from a major triad
Asus or Asus4 [x 0 0 2 3 0] (D E A) : no 3rd but a 4th from a major triad
Asus2 or Aadd9(no3)[0 0 2 2 0 0] (E A B) : no 3rd but a 2nd from a major triad
Asus2 or Aadd9(no3)[0 0 2 4 0 0] (E A B) : no 3rd but a 2nd from a major triad
Asus2 or Aadd9(no3)[0 2 2 2 0 0] (E A B) : no 3rd but a 2nd from a major triad
Asus2 or Aadd9(no3)[x 0 2 2 0 0] (E A B) : no 3rd but a 2nd from a major triad
Asus2 or Aadd9(no3)[x x 2 2 0 0] (E A B) : no 3rd but a 2nd from a major triad
Asus2/Ab [x 0 2 1 0 0] (E Ab A B) : sus2 triad (altered bass)
Asus2/C [0 0 7 5 0 0] (C E A B) : sus2 triad (altered bass)
Asus2/C [x 3 2 2 0 0] (C E A B) : sus2 triad (altered bass)
Asus2/D [0 2 0 2 0 0] (D E A B) : sus2 triad (altered bass)
Asus2/D [x 2 0 2 3 0] (D E A B) : sus2 triad (altered bass)
Asus2/Db [0 0 2 4 2 0] (Db E A B) : sus2 triad (altered bass)
Asus2/Db [x 0 7 6 0 0] (Db E A B) : sus2 triad (altered bass)
Asus2/Eb [x 2 1 2 0 0] (Eb E A B) : sus2 triad (altered bass)
Asus2/F [0 0 3 2 0 0] (E F A B) : sus2 triad (altered bass)
Asus2/G [3 x 2 2 0 0] (E G A B) : sus2 triad (altered bass)
Asus2/G [x 0 2 0 0 0] (E G A B) : sus2 triad (altered bass)
Asus2/G [x 0 5 4 5 0] (E G A B) : sus2 triad (altered bass)
Asus2/Gb [x 0 4 4 0 0] (E Gb A B) : sus2 triad (altered bass)
Asus2/Gb [x 2 4 2 5 2] (E Gb A B) : sus2 triad (altered bass)
Asus4/Ab [4 x 0 2 3 0] (D E Ab A) : sus4 triad (altered bass)
Asus4/B [0 2 0 2 0 0] (D E A B) : sus4 triad (altered bass)
Asus4/Bb [0 1 x 2 3 0] (D E A Bb): sus4 triad (altered bass)
Asus4/C [x x 0 2 1 0] (C D E A) : sus4 triad (altered bass)
Asus4/C [x x 0 5 5 5] (C D E A) : sus4 triad (altered bass)
Asus4/Db [x 0 0 2 2 0] (Db D E A) : sus4 triad (altered bass)
Asus4/Db [x x 0 2 2 0] (Db D E A) : sus4 triad (altered bass)
Asus4/Db [x x 0 6 5 5] (Db D E A) : sus4 triad (altered bass)
Asus4/Db [x x 0 9 10 9] (Db D E A): sus4 triad (altered bass)
Asus4/F [x x 7 7 6 0] (D E F A) : sus4 triad (altered bass)
Asus4/G [x 0 2 0 3 0] (D E G A) : sus4 triad (altered bass)
Asus4/G [x 0 2 0 3 3] (D E G A) : sus4 triad (altered bass)
Asus4/G [x 0 2 2 3 3] (D E G A) : sus4 triad (altered bass)
Asus4/G [x 0 0 0 x 0] (D E G A) : sus4 triad (altered bass)
Asus4/Gb [0 0 0 2 3 2] (D E Gb A) : sus4 triad (altered bass)
Asus4/Gb [0 0 4 2 3 0] (D E Gb A) : sus4 triad (altered bass)
Asus4/Gb [2 x 0 2 3 0] (D E Gb A) : sus4 triad (altered bass)
Asus4/Gb [x 0 2 2 3 2] (D E Gb A) : sus4 triad (altered bass)
Asus4/Gb [x x 2 2 3 2] (D E Gb A) : sus4 triad (altered bass)
Asus4/Gb [x 5 4 2 3 0] (D E Gb A) : sus4 triad (altered bass)
Asus4/Gb [x 9 7 7 x 0] (D E Gb A) : sus4 triad (altered bass)
If you were counting, that's 140 versions of an A chord... and AaddB is not there!!! :woohoo: :silly:
Ok, I now know AaddB is really A(add9) and I found how to finger it nicely too moving from A to A(add9)... so all good so far... unless I got it wrong??!
here's what I'm using: Aadd9 or A2 [x 0 7 6 0 0] (Db E A B) : major triad plus 9th
Surviving in The Chord Jungle
- neverfoundthetime
- Posts: 48
- Joined: Sat Aug 01, 2009 2:14 pm
- Status: Offline
Hi guys.... Thanks for responding!
Yes, looked at that B in the bass first Stuart but didn't sound like what I was looking for. The 002420 Shell mentions was the first thing I tried and sounded really nice but not right (and the fingering is hard if you have to go from A) but the solution I came up with x07600 did sound right Cori and as I needed to go from A to A (addB) I could finger x07655 to x07600 very nicely.
I will continue with the mysteries of this beautiful song and maybe come back and ask for help if I can't work it out. This was sparked off by your What Song Would You Request thread Cori so thanks for the inspiration.... I found myself trying to work it out instead of asking for a lesson.
Here's how far I got today:
When you wake up – Blue Jays Hayward/Lodge
A D
Now as we speed a little faster through the stars
A D
To this new world of ours
A
With the seed that the garden requires
D
And as we drift a little further from the shore
A D
Like the sea evermore
D A
I'm the ivy that clings round your door
? D A G
When you wake up, you will find
A D A
That you're not where you left yourself
D A D A G D
Ahhhh, Ahhhh, Ahhhh, Ahhhh
D A D A G Bm E A
Ahhhh, Ahhhh, Ahhhh, Ahhhh
Now as we drift a little further down the stream
Was it all what it seemed
Was it true, was it real
Or just a dream
When you wake up you will find
That you're not where you left yourself
Ahhhh, Ahhhh, Ahhhh, Ahhhh
Ahhhh, Ahhhh, Ahhhh, Ahhhh
Now as we speed a little faster through the stars
Ahhhh, Ahhhh, Ahhhh, Ahhhh
Ahhhh, Ahhhh, Ahhhh, Ahhhh
Ahhhh, Ahhhh, Ahhhh, Ahhhh
Ahhhh, Ahhhh, Ahhhh, Ahhhh
Here's the song... between 20 sec and 24 sec the A to A AddB happens on the words new world of ours
Yes, looked at that B in the bass first Stuart but didn't sound like what I was looking for. The 002420 Shell mentions was the first thing I tried and sounded really nice but not right (and the fingering is hard if you have to go from A) but the solution I came up with x07600 did sound right Cori and as I needed to go from A to A (addB) I could finger x07655 to x07600 very nicely.
I will continue with the mysteries of this beautiful song and maybe come back and ask for help if I can't work it out. This was sparked off by your What Song Would You Request thread Cori so thanks for the inspiration.... I found myself trying to work it out instead of asking for a lesson.
Here's how far I got today:
When you wake up – Blue Jays Hayward/Lodge
A D
Now as we speed a little faster through the stars
A D
To this new world of ours
A
With the seed that the garden requires
D
And as we drift a little further from the shore
A D
Like the sea evermore
D A
I'm the ivy that clings round your door
? D A G
When you wake up, you will find
A D A
That you're not where you left yourself
D A D A G D
Ahhhh, Ahhhh, Ahhhh, Ahhhh
D A D A G Bm E A
Ahhhh, Ahhhh, Ahhhh, Ahhhh
Now as we drift a little further down the stream
Was it all what it seemed
Was it true, was it real
Or just a dream
When you wake up you will find
That you're not where you left yourself
Ahhhh, Ahhhh, Ahhhh, Ahhhh
Ahhhh, Ahhhh, Ahhhh, Ahhhh
Now as we speed a little faster through the stars
Ahhhh, Ahhhh, Ahhhh, Ahhhh
Ahhhh, Ahhhh, Ahhhh, Ahhhh
Ahhhh, Ahhhh, Ahhhh, Ahhhh
Ahhhh, Ahhhh, Ahhhh, Ahhhh
Here's the song... between 20 sec and 24 sec the A to A AddB happens on the words new world of ours
- neverfoundthetime
- Posts: 48
- Joined: Sat Aug 01, 2009 2:14 pm
- Status: Offline
Thanks Shell... it does sound nice but I'm not sure its what they are doing... am wondering if they are capoed and using other chords (Cs and Gs instead of Ds and As) or if its alternate tuning.
Ahhhh... I get the dilemma. It sounds like you need the assistance I the guru indeed.
Well you'd better start the petition.
With the collective wisdom of the membership you may get a bit closer regardless.
Good luck.
M
Well you'd better start the petition.
With the collective wisdom of the membership you may get a bit closer regardless.
Good luck.
M
- neverfoundthetime
- Posts: 48
- Joined: Sat Aug 01, 2009 2:14 pm
- Status: Offline
michelew wrote:
-Timing... is it changing signature from verse to chorus?
-What's the strum pattern?
-What's the tuning, chords
I'd really like to catch as much of the original as I can...
... and I hereby solomely swear (did quite a bit of that today already :woohoo: ) to record and upload the song when conquered.... could be a nice collab.
Chris
I hereby open this thread to any and all who'd like to contribute something to unravelling this song:Ahhhh... I get the dilemma. It sounds like you need the assistance I the guru indeed.
Well you'd better start the petition.
With the collective wisdom of the membership you may get a bit closer regardless.
Good luck.
M
-Timing... is it changing signature from verse to chorus?
-What's the strum pattern?
-What's the tuning, chords
I'd really like to catch as much of the original as I can...
... and I hereby solomely swear (did quite a bit of that today already :woohoo: ) to record and upload the song when conquered.... could be a nice collab.
Chris
Here are a couple of thoughts...that MIGHT be useful.
If the Aadd9 were the correct chord
The notes you need are some fingering of: A,E,C#, and B
I like Michele's fingering of the chord but it sounds like you wanna play this further up the neck. I like your guitarist friendly approach of fingering it in fifth position...I believe you said you have been using X76000 but what you need is actually X77600...giving you the four notes: A,E,C#,B
EDIT: But as I RE-READ I see you didn't think the A, E,B,C# sounded correct...
EDIT: But this is all onlyIF we believe the Aadd9 is the correct sounding chord
I would do just like you are doing and play mostly barres in fifth position. The easiest solution is to indeed fret X77600...sits nicely under the A chord...and allows easy access to the D barre chord as well.
Another fifth position fingering of the Aadd9 you might experiment with is to occasionally play the chords on the treble strings. The movement from A to Add9 is a snap and sounds nice as well. It would be a matter of simply dropping your pinky.
A- XX7655 TO Add9-XX7657...getting to the D from here is no sweat either...
You might try these chords on the Bridge Line:
Bridge
A F# D A F# D G A F# D A
When you wake up you will find that your not where you left yourself....
If the Aadd9 were the correct chord
The notes you need are some fingering of: A,E,C#, and B
I like Michele's fingering of the chord but it sounds like you wanna play this further up the neck. I like your guitarist friendly approach of fingering it in fifth position...I believe you said you have been using X76000 but what you need is actually X77600...giving you the four notes: A,E,C#,B
EDIT: But as I RE-READ I see you didn't think the A, E,B,C# sounded correct...
EDIT: But this is all onlyIF we believe the Aadd9 is the correct sounding chord
I would do just like you are doing and play mostly barres in fifth position. The easiest solution is to indeed fret X77600...sits nicely under the A chord...and allows easy access to the D barre chord as well.
Another fifth position fingering of the Aadd9 you might experiment with is to occasionally play the chords on the treble strings. The movement from A to Add9 is a snap and sounds nice as well. It would be a matter of simply dropping your pinky.
A- XX7655 TO Add9-XX7657...getting to the D from here is no sweat either...
You might try these chords on the Bridge Line:
Bridge
A F# D A F# D G A F# D A
When you wake up you will find that your not where you left yourself....