My face says yes ... I say no ... I say stop ... but it says go go go ... oh no !
Posted: Wed Jul 13, 2011 10:42 pm
This thread was inspired by dTaylor's recent upload of him playing the Allman Brother's "Little Martha".
His playing of this complex instrumental seemed very relaxed, and no tension was apparent in his facial expression.
This lead me to mention that I find myself making some odd facial expressions on certain chord changes that involve what seem somewhat unnatural hand positions. I notice that effect very gradually diminishing over time ... I think some chords, or chord changes, may take more than another year to get over, for a total of a couple years to get that them to being that natural.
Now, the question ...
I recently had a nice supper in a restaurant where a male jazz guitarist and a female singer performed.
They were both top-notch artists, but it surprised me that the face of the guitarist was contorting with pretty much every chord change. All of his playing was scary to me, but he played so well that I expected that just the practice behind that would reduce the facial action.
Maybe he's stuck with grimacing exceptionally? Or maybe it's very common to do that, even for very experienced players ?
So I wonder if you sometimes make funny faces while playing ? (Of course singing while playing can hide that).
If so, do you have any tricks (besides Botox) for dealing with the :S FACES :S ?
Pierre
His playing of this complex instrumental seemed very relaxed, and no tension was apparent in his facial expression.
This lead me to mention that I find myself making some odd facial expressions on certain chord changes that involve what seem somewhat unnatural hand positions. I notice that effect very gradually diminishing over time ... I think some chords, or chord changes, may take more than another year to get over, for a total of a couple years to get that them to being that natural.
Now, the question ...
I recently had a nice supper in a restaurant where a male jazz guitarist and a female singer performed.
They were both top-notch artists, but it surprised me that the face of the guitarist was contorting with pretty much every chord change. All of his playing was scary to me, but he played so well that I expected that just the practice behind that would reduce the facial action.
Maybe he's stuck with grimacing exceptionally? Or maybe it's very common to do that, even for very experienced players ?
So I wonder if you sometimes make funny faces while playing ? (Of course singing while playing can hide that).
If so, do you have any tricks (besides Botox) for dealing with the :S FACES :S ?
Pierre