Sat Mar 23, 2013 12:10 pm
Led Zeppelin, and Page in particular, quite shamelessly and prolifically stole the work of others, and not just old bluesmen. Just for instance, he outright nicked Bert Jansch's highly original arrangement of "Blackwaterside," and recorded it as "Black Mountainside." Jansch wanted to sue, but he couldn't afford to do so. There's is also the aforementioned theft of the opening to "Stairway."
Making matters worse, Page has never fully acknowledged any of this, though I think there have been some legal settlements over the years, at least.
If you think people who write songs deserve to be compensated for them in both money and recognition, you bet there's something "wrong" with this kind of thing. This isn't Dylan lifting a line here or a bit of melody there. Nor is it just part of the folk tradition where people take the work of others (often songs where the origin is uncertain) and build on it (like, say "Scarborough Fair"/"Girl from the North Country"). It's wholesale theft of either very original whole songs or big swaths of them.
I still love Zeppelin, of course, and if Page had just given songwriting credit where it was due, I wouldn't have thought any less of him. I would have thought - as I do think - that he put a brilliant spin on the work of others. And he'd still be filthy rich. I also don't think this means Page wasn't a fantastic writer of original songs himself: there's no indication I know of that "The Rain Song" came from anywhere other than his brain, just for one example.