Idiotic Eureka Moment
No. I do like a challenge. The issue is/was that your original JPG file was too big (dimensionally). The FILE size was fine (273K) but the image (2584 x 568) dimensions were too big. The image dimension limits are 2048 x 2048. See if you can resize your original JPG file and try to add it to this thread.
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Dean
Interesting post.
Dermot
Click Image To Enlarge:
Dean Wrote:
Interesting post.
Dermot
Click Image To Enlarge:
Dean Wrote:
thereshopeyet wrote:
So Dean , if you look closely you can see the C shaped C, the A shaped C, the G shaped C, the E shaped C and the D shaped C of the CAGED system.
Tom N.
Dean
Interesting post.
Dermot
Click Image To Enlarge:
Dean Wrote:
So Dean , if you look closely you can see the C shaped C, the A shaped C, the G shaped C, the E shaped C and the D shaped C of the CAGED system.
Tom N.
I've dispensed with the C and G shapes for the purpose of soloing, the shapes as shown are placeholders sufficient to find my way on the fretboard no matter the key or chord of the moment. After a couple of weeks of practice adding fragments of the scale around the shapes I can confidently move the entire fretboard at will. I still need to consciously name the numbers of the scale steps, but that will come with a little effort.
dtaylor wrote:
Tom N.
Looks like you are getting a real handle on fretboard landscape, great work!I've dispensed with the C and G shapes for the purpose of soloing, the shapes as shown are placeholders sufficient to find my way on the fretboard no matter the key or chord of the moment. After a couple of weeks of practice adding fragments of the scale around the shapes I can confidently move the entire fretboard at will. I still need to consciously name the numbers of the scale steps, but that will come with a little effort.
Tom N.
tombo1230 wrote:
Cheers, Tom. Hope to upload some noodling when I can record something worthwhile.dtaylor wrote:Looks like you are getting a real handle on fretboard landscape, great work!I've dispensed with the C and G shapes for the purpose of soloing, the shapes as shown are placeholders sufficient to find my way on the fretboard no matter the key or chord of the moment. After a couple of weeks of practice adding fragments of the scale around the shapes I can confidently move the entire fretboard at will. I still need to consciously name the numbers of the scale steps, but that will come with a little effort.
Tom N.