BigBear wrote:
Kenny- Nice addition! Like you, I love my Les Paul but I've always wanted a candy-apple red Strat. I think watching Hank Marvin did it for me! Maybe someday.
You've got some beautiful Les Paul's. Can you describe them a little bit?
You're answer to Jay was right on but you could add that there are some techniques that are harder to pull off on an electric, particularly anything percussive. Conversely, things like full bends are really tough on acoustics, unless you have really light strings. Guys like Lindsey Buckingham and Mark Knofler are really good electric ginger pickers.
Cheers! :cheer:
Hey brother... What's up?
The Goldtop (far left) is a Historic 1954 Reissue, with a big 'ole 50's style neck and P-90 single coils. That's my "Number Axe", bro. It does everything from chimey cleans, to burnin' the paint off the walls and everything in between. I've never owned, nor played a better Les Paul, EVER!!! When I die, that one goes in the pine box with me.
The Cherry Burst Les Paul is a Historic 1958 Reissue, with a big 'ole 50's style neck and '57 Classic Humbuckers. That one was hand selected from the Custom Shop "Artists Stock" at Gibson. It's absolutely incredible.
I suppose that I should clarify my statement on "fingerpicking an electric".
If the goal is to replicate "the feel" of an acoustic, then one of the jazz boxes like a Gibson L-4 or an ES-175, or equivalent, would be the best choices.
If we're talking about sound? Any guitar with an appropriate transducer and a processor would get you close, BUT there is no replacement for a fine quality acoustic, in terms of sound. In my humble opinion.