Hello there.
I have a question about the Nylon strings for a beginner.
The strings from Diderio have the hard tension and the normal tension.
Also a composite,thats the G string.
What i know is that the strings from de composite serie needs more time to stay in tune.
But the bas strings and the G string have 3 times more here right sound.
Hope you understand what i mean.
On my spanish guitar is the setup Ddario hardtension C,that give a warm sound.
Oke i have no try other brand names,Salvares for the clasic guitar.
Who can help me with a good explenation?? .
thanks................And cheers from Holland.............Anton
Diderio clasic strings for a beginner(classic guitar)
Hello my friend Dermot.
What i mean in the first pleace,The best strings for a beginner(Normal or hard tension).
The second ; the setup on my spainish guitar (Ddareo hardtension composit.
The composit are a other Nylon for longer life time.
This string are good or not good for a beginner guitar player??.
And my last quiestion,what is the best Nylon string?? Ddario or Alvarez??.
Thanks for the link my friend.
Maby that Neil can give me a answer.
cheers...............Anton
What i mean in the first pleace,The best strings for a beginner(Normal or hard tension).
The second ; the setup on my spainish guitar (Ddareo hardtension composit.
The composit are a other Nylon for longer life time.
This string are good or not good for a beginner guitar player??.
And my last quiestion,what is the best Nylon string?? Ddario or Alvarez??.
Thanks for the link my friend.
Maby that Neil can give me a answer.
cheers...............Anton
Anton,
Selecting the perfect string is like asking what food is delicious. You open yourself up to a multitude of opinions. A nylon string that has been around for many years is the LaBella Folksinger. These nylon strings have a ball end, which eliminates the need to tie at the bridge. Some guitarists feel that LaBella strings (that began in 1640) produce a sound that is closer to the original tone of 'gut' strings. The strings have good tonality and stand up to a bit of abuse, especially if you are transitioning from steel. To attain tone on my classical guitars (Guild Mark ll and Taylor - Jason Mraz), I have selected Savarez 520 PI strings. They are a slightly more expensive, but the high tension, and wound third, provides the crisp clean tone I am seeking.
Whatever you choose, I believe you will find that experimentation is the best teacher. Like each of us, a guitar must find its own ‘voice’, and each brand of string you try will provide a slightly different experience. Remember that a beautiful guitar will sound horrible with cheap or incorrectly chosen strings. You final choice will affect every aspect of your playing. You might consider initially purchasing one full set of low, medium and high-tension strings from the same series and from the same company. Try out each set of strings over a period of a few days. Allow the strings the time to settle in before going to the next step. I digitally record the sound of a series of chords or a song that I will consistently use for the test. Make sure that the EQ is absolutely flat for each recording. It should also be done in the same room, facing in the same direction, same microphone placed in exactly the same place. Remember that the sound from a mic placed over the bridge will be different than one placed in front of the hole. Make sure that your right hand is also placed in the same position on the guitar as well. Temperature also plays a part here. We always placed our instruments on stage at least 30 minutes prior to performing, and re-tuned 5 minutes before curtain. Consistency is extremely important here. I also take notes in the same fashion as a wine taster. After all, this too is a sensory experience. You will also find these notes helpful down-stream when trying to remember a specific sound.
Once you have selected the best sound for your guitar and music, and if your pocket book will stand the test, try one or two other brands of the same tension and gauge from other manufacturers. You will find that each will produce a slightly different ‘flavor’ to your music. Selecting strings is like baking a chocolate cake. If you gave the same ingredients to 10 different people and directed them to bake cakes, you would have 10 different cakes when they were through. Each one would have different nuances, and the quality would be totally subjective. It will have been created to please the ‘palate’ of the baker. The same holds true with any musical instrument.
Have fun!
Rev Kate
Selecting the perfect string is like asking what food is delicious. You open yourself up to a multitude of opinions. A nylon string that has been around for many years is the LaBella Folksinger. These nylon strings have a ball end, which eliminates the need to tie at the bridge. Some guitarists feel that LaBella strings (that began in 1640) produce a sound that is closer to the original tone of 'gut' strings. The strings have good tonality and stand up to a bit of abuse, especially if you are transitioning from steel. To attain tone on my classical guitars (Guild Mark ll and Taylor - Jason Mraz), I have selected Savarez 520 PI strings. They are a slightly more expensive, but the high tension, and wound third, provides the crisp clean tone I am seeking.
Whatever you choose, I believe you will find that experimentation is the best teacher. Like each of us, a guitar must find its own ‘voice’, and each brand of string you try will provide a slightly different experience. Remember that a beautiful guitar will sound horrible with cheap or incorrectly chosen strings. You final choice will affect every aspect of your playing. You might consider initially purchasing one full set of low, medium and high-tension strings from the same series and from the same company. Try out each set of strings over a period of a few days. Allow the strings the time to settle in before going to the next step. I digitally record the sound of a series of chords or a song that I will consistently use for the test. Make sure that the EQ is absolutely flat for each recording. It should also be done in the same room, facing in the same direction, same microphone placed in exactly the same place. Remember that the sound from a mic placed over the bridge will be different than one placed in front of the hole. Make sure that your right hand is also placed in the same position on the guitar as well. Temperature also plays a part here. We always placed our instruments on stage at least 30 minutes prior to performing, and re-tuned 5 minutes before curtain. Consistency is extremely important here. I also take notes in the same fashion as a wine taster. After all, this too is a sensory experience. You will also find these notes helpful down-stream when trying to remember a specific sound.
Once you have selected the best sound for your guitar and music, and if your pocket book will stand the test, try one or two other brands of the same tension and gauge from other manufacturers. You will find that each will produce a slightly different ‘flavor’ to your music. Selecting strings is like baking a chocolate cake. If you gave the same ingredients to 10 different people and directed them to bake cakes, you would have 10 different cakes when they were through. Each one would have different nuances, and the quality would be totally subjective. It will have been created to please the ‘palate’ of the baker. The same holds true with any musical instrument.
Have fun!
Rev Kate
Anton,
As I was working on a quick response to your question I came across Guitarmom's answer and I couldn't have said it better myself.
Rev. Kate- great to see you back with us! Thanks for the thoughtful and detailed answer and looking forward to seeing and hearing more from you.
Neil
As I was working on a quick response to your question I came across Guitarmom's answer and I couldn't have said it better myself.
Rev. Kate- great to see you back with us! Thanks for the thoughtful and detailed answer and looking forward to seeing and hearing more from you.
Neil
Thank you Neil. Music is like anything else worthwhile. The more you study, the more you realize there is to know! You have created the consumate forum for those of us that love wood and strings. I will always consider myself a student, and I learn from everyone that posts their thoughts. I am very glad to be back! Lead on dear teacher...lead on!
Wów again, just love all the info! Thanks, very much appreciated!
Ness
Guitarmom wrote:
Ness
Guitarmom wrote:
Anton,
Selecting the perfect string is like asking what food is delicious. You open yourself up to a multitude of opinions. A nylon string that has been around for many years is the LaBella Folksinger. These nylon strings have a ball end, which eliminates the need to tie at the bridge. Some guitarists feel that LaBella strings (that began in 1640) produce a sound that is closer to the original tone of 'gut' strings. The strings have good tonality and stand up to a bit of abuse, especially if you are transitioning from steel. To attain tone on my classical guitars (Guild Mark ll and Taylor - Jason Mraz), I have selected Savarez 520 PI strings. They are a slightly more expensive, but the high tension, and wound third, provides the crisp clean tone I am seeking.
Whatever you choose, I believe you will find that experimentation is the best teacher. Like each of us, a guitar must find its own ‘voice’, and each brand of string you try will provide a slightly different experience. Remember that a beautiful guitar will sound horrible with cheap or incorrectly chosen strings. You final choice will affect every aspect of your playing. You might consider initially purchasing one full set of low, medium and high-tension strings from the same series and from the same company. Try out each set of strings over a period of a few days. Allow the strings the time to settle in before going to the next step. I digitally record the sound of a series of chords or a song that I will consistently use for the test. Make sure that the EQ is absolutely flat for each recording. It should also be done in the same room, facing in the same direction, same microphone placed in exactly the same place. Remember that the sound from a mic placed over the bridge will be different than one placed in front of the hole. Make sure that your right hand is also placed in the same position on the guitar as well. Temperature also plays a part here. We always placed our instruments on stage at least 30 minutes prior to performing, and re-tuned 5 minutes before curtain. Consistency is extremely important here. I also take notes in the same fashion as a wine taster. After all, this too is a sensory experience. You will also find these notes helpful down-stream when trying to remember a specific sound.
Once you have selected the best sound for your guitar and music, and if your pocket book will stand the test, try one or two other brands of the same tension and gauge from other manufacturers. You will find that each will produce a slightly different ‘flavor’ to your music. Selecting strings is like baking a chocolate cake. If you gave the same ingredients to 10 different people and directed them to bake cakes, you would have 10 different cakes when they were through. Each one would have different nuances, and the quality would be totally subjective. It will have been created to please the ‘palate’ of the baker. The same holds true with any musical instrument.
Have fun!
Rev Kate