schm040 learning to play Tears In Heaven acoustic guitar
OMG!!   
   
   WOW! Pleasure to watch this!!  Very, Very Good! How nimbly you moved about the fretboard! You're covering a lot of real-estate in this arrangement with some wide stretches & rather unorthodox hand positions & you handled t like a pro...
  WOW! Pleasure to watch this!!  Very, Very Good! How nimbly you moved about the fretboard! You're covering a lot of real-estate in this arrangement with some wide stretches & rather unorthodox hand positions & you handled t like a pro...
Very, very excellent post, Matt! Nothing but praise from me...
Cori
            
			
									
									 
   
   WOW! Pleasure to watch this!!  Very, Very Good! How nimbly you moved about the fretboard! You're covering a lot of real-estate in this arrangement with some wide stretches & rather unorthodox hand positions & you handled t like a pro...
  WOW! Pleasure to watch this!!  Very, Very Good! How nimbly you moved about the fretboard! You're covering a lot of real-estate in this arrangement with some wide stretches & rather unorthodox hand positions & you handled t like a pro...Very, very excellent post, Matt! Nothing but praise from me...
Cori
Guys, thanks for the comments, really.
The arrangement is in OPEN G and is from a Hal Leonard's Fingerstyle Guitar [/i] book.
It funny because I recorded this song about six times in the past few weeks wanting to post it and every time I reviewed my recording I was horrified by how bad it was...... then I thought, hey why don't I take Neil's advice and USE A METRONOME!!!!!!!!!!!!!
You can hear it of course in the recording, it is set at 80 bbm, the sheet music recommends 90.
It was my first time using a metronome and I am hooked.
I found myself being corrected by it, controlled almost by it. I really noticed how off tempo I was when I took the melody up an octave, that's when I rushed a bit, then brought it back as it dropped back down. Very cool lesson I learned this time around.
As for improvements, because this arrangement is incorporating the melody line I need to learn how to keep it looser and have more feeling. I felt like I was too mechanical in some places, but alas, this is the point of practicing right?
Thanks again.
Matt
schm040 wrote:
really fine (great) job..and you were so relaxed..Metronome he..
Willem
            
			
									
									Hi Matt,,really,really nice,,I enjoyed this very much,,can you point me exactly to the titlle from that Hal Leonards book so I can check what is more in it???
Guys, thanks for the comments, really.
The arrangement is in OPEN G and is from a Hal Leonard's Fingerstyle Guitar [/i] book.
It funny because I recorded this song about six times in the past few weeks wanting to post it and every time I reviewed my recording I was horrified by how bad it was...... then I thought, hey why don't I take Neil's advice and USE A METRONOME!!!!!!!!!!!!!
You can hear it of course in the recording, it is set at 80 bbm, the sheet music recommends 90.
It was my first time using a metronome and I am hooked.
I found myself being corrected by it, controlled almost by it. I really noticed how off tempo I was when I took the melody up an octave, that's when I rushed a bit, then brought it back as it dropped back down. Very cool lesson I learned this time around.
As for improvements, because this arrangement is incorporating the melody line I need to learn how to keep it looser and have more feeling. I felt like I was too mechanical in some places, but alas, this is the point of practicing right?
Thanks again.
Matt
really fine (great) job..and you were so relaxed..Metronome he..
Willem