
Merry Christmas or happy holidays when it comes.

Tom N.
David,. . . . in a modified drop-D tuning with the 5th string-pair dropped two steps to A. Then I dropped the whole shebang two steps to fit my vocal (such as it is) range. The final tuning is C-G-C-F-G-D.
You're absolutely right. I speak in tones and semi-tones, breves, minims, crotchets, and hemidemisemiquavers, so I sometimes get the translations wrongCatman wrote:" . . . . in a modified drop-D tuning with the 2nd string-pair dropped two half-steps to A. Then I dropped the whole shebang two half-steps to fit my vocal (such as it is) range. The final tuning is C-G-C-F-G-D.". . . . in a modified drop-D tuning with the 5th string-pair dropped two steps to A. Then I dropped the whole shebang two steps to fit my vocal (such as it is) range. The final tuning is C-G-C-F-G-D.
I tuned it back to standard tuning.I don't yet have a satisfactory system for capoing a 12-string. When I do, I will probably tune down two semi-tones and use the capo when necessary. I have ordered a Shubb 12-string capo, and I am going to notch the rubber to provide some relief for the wound strings so the capo will be able to fret the octave strings properly. Of course, this will limit how high on the neck I can apply the capo.I'm very curious. Do you leave the 12-string tuned like that? Or do you tune back to standard pitch? That's quite a chore on a 12-string. I have a spare 6-string guitar that I leave tuned down two half-steps, and, if I need to play a song in standard tuning on it, I put a capo at the second fret.
Good idea. If you get a chance, let us know how this works out.I have ordered a Shubb 12-string capo, and I am going to notch the rubber to provide some relief for the wound strings so the capo will be able to fret the octave strings properly.