Please Come to Boston

[Acoustic1*]

In the Intro, you show 2 ways of playing it, but the second example without a capo is if there's a 2nd guitar. The part without the capo actually sounds more like the intro to the original song. By myself playing it, you would still recommend using capo in Drop D tuning?

[TGNeil]

I think the Dropped D version makes a better single guitar part, and you could not capo it and sing a whole step lower. Or even capo higher to fit your voice.

Neil

[Acoustic1*]

In the 8th measure of the verse, that is really tough, that slide from 3>2!

[Acoustic1*]

In measure 16, there's a "7" indicating the 7th fret.. What should that measure look like? Thank you!