willem wrote:
For me it looks happy,,well it must be..,,I think many major chords :laugh: B) ,,your hear the main melody so I am very curious how the music would sound..maybe a wals??
Goodluck
Willem
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michelew wrote:
Hey Daryl,
You've got some nice memories in there, sad too.
Ok mine first cut is below. Sorry, I'm definitely cheating on the structure (unless you treat the first three sets of lines as a verse), but this is what's happening for me.
I've got a couple of progressions and melody lines in my head. I think the progression works OK, but it doesn't make sense to me musically, so I'm suspicious that I'm breaking too many rules. I'll see if I can record a couple of things tomorrow. Off to bed now.
Here's the lyrics.
Only Yesterday
Only yesterday my heart was blue,
I hadn't even heard of you
But now you've got me singing in the street
Only yesterday I wore a frown
Now my life's turned upside down
And I'm as playful as can be
Oooooh, ooooooh, oooooh-ooh-ooh
Ooooh, oooooh, oooooh, oooooooh
Only yesterday my life was small
Now I'm walking ten feet tall
The world's a wond'rous place to be
Only yesterday my life was gray
And now you've blown that all away
You've sparked a fire inside of me
Oooooh, ooooooh, oooooh-ooh-ooh
Ooooh, oooooh, oooooh, oooooooh
Now my heart's been set alight. (Mostly Same progression as the oohs)
I'm energised and full of fight
You've rocked my world with you alchemy
Only yesterday my heart was blue
And now it's full of love for you
You're one sweet gorgeous symphony
Willem - thanks. I'm glad you read it as happy. Not a waltz, but yep I have a bunch of major chords. I'm going for happy and upbeat (though maybe still a little tortured in truth

). Actually, my problem (or one of them) is that I have
too many major chords (I might use at least one 5 chord instead to make it more ambiguous - or maybe just use powerchords)

).... It's currently E, G, A, B. And the notes I'm using would seem to come from a melodic Em scale (E, F#, G, A, B, C, C#, D, D#, E - though I'm currently not using a C or C#...or a D); hence the still a bit tortured. B) So I'm assuming as a minimum it needs to be E5 (as I'm using G not G# in the melody notes), G, A, B. I have so much to learn. It's ridiculous. The progression may well change to a standard I, IV, V ... plus something ... Progression by the time I've started actually playing and singing it. What's the chance it will end up being a standard I, IV, V, vi?

probably preeeeettty high.
Daryl - thanks. I see what you mean about the order of the last two sections. I was trying to round it off by repeating part of the first verse. I was also trying to stick to your structure criteria. The second last section was intended to sound a little different and be the B. I agree with Tom that your song could use more rhyming. However, since I feel I over use rhyming, I was waiting to hear what yours sounded like, assuming you're going to try to put music to it.
Dermot - thanks!
Tom - thanks for your suggests. I was trying to keep this upbeat and light. I'm WAY to prone to writing sad and deep and meaningful (well miserable) lyrics to go any further into the back story. I figured "grey", "small", "frown" and "blue" covered it. At this point I'm really just trying to get the words and a feeling flowing and to work out how to develop a starting place for the melody I'm hearing.
The words are likely to change as I try to sing them. That's what I tend to find. I'm going with the "write a 100 bad songs and maybe you'll write some good ones" theory. I'll keep your suggestions in mind though as I work on this. It's really just a song about how you can feel shitty one minute and then fall head over heels for someone the next and be totally transformed. It's as simple as that. Since many of the really cool song don't have a huge storyline in them (she loves you ya, ya, ya

) I'm not too worried about it's lack of depth. But, I'll look for places where I might make it more meaningful and more resonating. Thanks.
Thanks guys. Let's see what you have up your sleeves hey!?!
Shel